THE NUCLEAR FAMILY 1969
I AM THE OPPOSITE OF THE OPPOSITE I AM THE OPPOSITE OF OPPOSITE IS THE AM I ALWAYS AM
RED ROSE WHEREFORE ART THOU RED ROSE
When we two parted
In silence and tears,
Half broken-hearted
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.
The dew of the morning
Sunk chill on my brow--
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame;
I hear thy name spoken,
And share in its shame.
They name thee before me,
A knell to mine ear;
A shudder comes o'er me--
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well--
Long, long shall I rue thee,
Too deeply to tell.
In secret we met--
In silence I grieve,
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?--
With silence and tears.
When We Two Parted
George Gordon Byron - 1788-1824
|
THE JOURNEYWOMAN 1977
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1 |
3 |
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33 |
15 |
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2 |
6 |
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91 |
37 |
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3 |
2 |
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21 |
12 |
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4 |
10 |
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133 |
61 |
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5 |
2 |
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28 |
10 |
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6 |
3 |
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26 |
17 |
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8 |
2 |
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28 |
10 |
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First Total |
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3+5 |
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2+8 |
Add to Reduce |
3+6+0 |
1+6+2 |
5+4 |
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Second Total |
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1+0 |
Reduce to Deduce |
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Essence of Number |
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O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
Z |
= |
8 |
- |
4 |
ZERO |
64 |
28 |
1 |
C |
= |
3 |
- |
6 |
COMETH |
64 |
28 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
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29 |
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18 |
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14 |
- |
- |
2+9 |
- |
1+8 |
- |
2+3+9 |
9+5 |
1+4 |
- |
- |
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- |
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- |
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- |
- |
1+1 |
- |
- |
- |
1+4 |
1+4 |
- |
- |
- |
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- |
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- |
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A
MAZE
IN
ZAZAZA ENTERS AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
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26 |
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8 |
9 |
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5 |
6 |
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1 |
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6 |
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8 |
+ |
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4+3 |
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8 |
9 |
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14 |
15 |
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19 |
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24 |
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26 |
+ |
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1+1+5 |
= |
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26 |
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I |
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7 |
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1 |
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4 |
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7 |
8 |
9 |
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2 |
3 |
4 |
5 |
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7 |
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+ |
= |
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8+3 |
= |
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1+1 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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10 |
11 |
12 |
13 |
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16 |
17 |
18 |
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20 |
21 |
22 |
23 |
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25 |
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+ |
= |
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2+3+6 |
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1+1 |
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26 |
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I |
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R |
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15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
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3+5+1 |
= |
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1 |
2 |
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4 |
5 |
6 |
7 |
8 |
9 |
1 |
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6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
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1+2+6 |
= |
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26 |
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R |
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1 |
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1 |
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1 |
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occurs |
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2 |
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3 |
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occurs |
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4 |
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4 |
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occurs |
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3 |
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1+2 |
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5 |
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5 |
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5 |
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+ |
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occurs |
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3 |
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1+5 |
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6 |
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6 |
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6 |
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+ |
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occurs |
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3 |
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1+8 |
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7 |
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+ |
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occurs |
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3 |
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2+1 |
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8 |
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8 |
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8 |
+ |
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occurs |
x |
3 |
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2+4 |
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9 |
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9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
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occurs |
x |
2 |
= |
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1+8 |
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26 |
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4+5 |
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2+6 |
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1+2+6 |
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5+4 |
26 |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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26 |
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I |
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R |
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18 |
THE ENGLISH ALPHABET |
- |
- |
- |
|
THE |
33 |
15 |
|
|
ENGLISH |
74 |
38 |
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|
ALPHABET |
65 |
29 |
|
18 |
THE ENGLISH ALPHABET |
172 |
82 |
10 |
1+8 |
- |
1+7+2 |
8+2 |
1+0 |
9 |
THE ENGLISH ALPHABET |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
9 |
THE ENGLISH ALPHABET |
1 |
1 |
1 |
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT
IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS
THOUGH WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE
MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE ALPHABET IS GIVEN
A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING
THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL
CONNOTATIONS OF WORDS
BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
A |
B |
C |
D |
E |
F |
G |
H |
I |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
|
|
|
|
|
|
|
|
|
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
|
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|
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
THE LIGHT IS RISING NOW RISING IS THE LIGHT
|
LANGUAGES |
87 |
33 |
|
|
AND |
19 |
10 |
|
|
NUMBERS |
92 |
29 |
|
|
|
198 |
72 |
9 |
1+9 |
|
1+9+8 |
7+2 |
- |
10 |
- |
18 |
9 |
9 |
1+0 |
- |
1+8 |
- |
- |
1 |
- |
9 |
9 |
9 |
|
|
3 |
|
|
LANGUAGE |
68 |
32 |
|
|
|
2 |
|
|
TALKING |
74 |
29 |
|
|
|
5 |
- |
|
NUMBERS |
92 |
29 |
|
|
|
10 |
|
|
|
234 |
90 |
9 |
|
|
1+0 |
|
2+2 |
|
2+3+4 |
9+0 |
- |
- |
|
1 |
- |
4 |
- |
9 |
9 |
9 |
|
|
2 |
|
|
THE |
33 |
15 |
|
|
|
5 |
|
|
ENGLISH |
74 |
29 |
|
|
|
1 |
- |
|
ALPHABET |
65 |
29 |
|
|
|
8 |
|
|
|
172 |
73 |
10 |
|
|
4+6 |
|
1+9 |
|
1+7+2 |
7+3 |
1+0 |
- |
- |
8 |
- |
10 |
- |
10 |
10 |
1 |
- |
|
|
|
1+0 |
- |
1+0 |
1+0 |
- |
- |
- |
8 |
- |
1 |
- |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
2 |
L+A+N |
27 |
9 |
9 |
A |
= |
1 |
|
2 |
G+U+A+G |
18 |
18 |
9 |
N |
= |
5 |
|
3 |
E |
5 |
5 |
5 |
- |
- |
32 |
- |
8 |
LANGUAGE |
68 |
32 |
32 |
- |
- |
3+2 |
- |
|
- |
6+8 |
3+2 |
3+2 |
- |
- |
|
- |
8 |
LANGUAGE |
|
|
|
- |
- |
|
|
|
|
1+4 |
- |
- |
- |
- |
|
- |
8 |
LANGUAGE |
|
|
|
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"
DNA AND DNA DNA AND DNA DNA AND DNA
NUMBER
9
The Search for the Sigma Code
Cecil Balmond
Page 45
"From ancient times number nine was seen as a full complement; it was the cup of special promise that brimmed over"
FROM ANCIENT TIMES NINE WAS SEEN AS A FULL COMPLEMENT
IT WAS THE CUP OF SPECIAL PROMISE THAT BRIMMED OVER
"TIME PRESENT AND TIME PAST ARE BOTH PERHAPS PRESENT IN TIME FUTURE
AND TIME FUTURE CONTAINED IN TIME PAST"
Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
T.S. Eliot 1936
BURNT NORTON
(No. 1 of 'Four Quartets')
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64 |
28 |
1 |
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8 |
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1 |
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6 |
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34 |
16 |
7 |
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3 |
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2 |
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58 |
13 |
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60 |
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6 |
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52 |
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45 |
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4+5 |
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4+2 |
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Reduce |
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1+4 |
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9 |
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6 |
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6 |
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9 |
6 |
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52 |
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5 |
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4+2 |
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Reduce |
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2+2+5 |
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1+4 |
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9 |
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9 |
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6 |
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41 |
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Add |
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Reduce |
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9 |
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Reduce |
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9 |
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1 |
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28 |
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5 |
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5 |
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29 |
2 |
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7 |
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1 |
8 |
7 |
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93 |
30 |
3 |
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3 |
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5 |
9 |
6 |
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57 |
39 |
3 |
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3 |
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5 |
- |
F |
= |
6 |
6 |
5 |
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49 |
31 |
4 |
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4 |
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3 |
- |
T |
= |
2 |
4 |
5 |
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59 |
32 |
5 |
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5 |
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2 |
- |
S |
= |
1 |
3 |
6 |
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60 |
24 |
6 |
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4 |
- |
F |
= |
6 |
5 |
6 |
|
88 |
34 |
7 |
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6 |
- |
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= |
1 |
7 |
5 |
|
80 |
26 |
8 |
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1 |
- |
F |
= |
6 |
2 |
5 |
|
72 |
27 |
9 |
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45 |
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- |
- |
41 |
- |
54 |
Add |
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4+5 |
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4+1 |
|
5+4 |
Reduce |
6+8+7 |
3+0+0 |
4+8 |
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9 |
- |
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Deduce |
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Reduce |
2+1 |
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1+2 |
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9 |
- |
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Essence |
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- |
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- |
- |
- |
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THE |
33 |
15 |
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SOLAR |
65 |
29 |
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SYSTEM |
101 |
38 |
|
14 |
THE SOLAR SYSTEM |
199 |
82 |
10 |
1+4 |
|
1+9+9 |
8+2 |
1+0 |
5 |
THE SOLAR SYSTEM |
19 |
10 |
1 |
- |
|
1+9 |
1+0 |
- |
5 |
THE SOLAR SYSTEM |
10 |
1 |
1 |
- |
|
1+0 |
- |
- |
5 |
THE SOLAR SYSTEM |
1 |
1 |
1 |
Order Of the Planets From The Sun - Universe Today
https://www.universetoday.com/72305/order-of-the-planets-from-the-sun/
25 Nov 2015 - Here are the planets listed in order of their distance from the Sun:
Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, and Neptune.
3 |
SUN |
54 |
9 |
|
7 |
MERCURY |
103 |
40 |
4 |
5 |
VENUS |
81 |
18 |
9 |
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
4 |
MARS |
51 |
15 |
6 |
7 |
JUPITER |
99 |
36 |
9 |
6 |
SATURN |
93 |
21 |
3 |
6 |
URANUS |
94 |
22 |
4 |
7 |
NEPTUNE |
95 |
32 |
5 |
5 |
PLUTO |
84 |
21 |
3 |
59 |
First Total |
863 |
260 |
62 |
5+9 |
Add to Reduce |
8+6+3 |
2+6+0 |
1+0 |
14 |
Second Total |
17 |
8 |
8 |
1+4 |
Reduce to Deduce |
1+7 |
- |
- |
5 |
Essence of Number |
8 |
8 |
8 |
SUN MERCURY VENUS EARTH MOON MARS JUPITER SATURN URANUS NEPTUNE PLUTO
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- |
- |
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1 |
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- |
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19 |
1 |
1 |
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- |
- |
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= |
3 |
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- |
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21 |
3 |
3 |
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- |
- |
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= |
5 |
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14 |
5 |
5 |
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9 |
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54 |
9 |
9 |
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- |
- |
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4 |
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13 |
4 |
4 |
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- |
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5 |
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5 |
5 |
5 |
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- |
- |
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= |
9 |
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- |
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18 |
9 |
9 |
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- |
- |
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= |
3 |
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- |
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3 |
3 |
3 |
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- |
- |
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= |
3 |
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- |
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21 |
3 |
3 |
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- |
- |
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= |
9 |
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- |
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18 |
9 |
9 |
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- |
- |
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= |
7 |
|
- |
|
25 |
7 |
7 |
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40 |
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103 |
40 |
40 |
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- |
- |
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= |
4 |
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- |
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22 |
4 |
4 |
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- |
- |
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= |
5 |
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- |
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5 |
5 |
5 |
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- |
- |
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= |
5 |
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- |
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14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
|
|
|
81 |
18 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
1 |
|
- |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
8 |
|
- |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
|
|
52 |
25 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
4 |
|
- |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
5 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
6 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
|
|
57 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
4 |
|
- |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
1 |
|
- |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
51 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
1 |
|
- |
|
10 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
7 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
9 |
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
36 |
|
|
|
99 |
36 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
1 |
|
- |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
|
|
|
93 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
9 |
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
1 |
|
- |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
1 |
|
- |
|
19 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
|
|
|
94 |
22 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
7 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
5 |
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
5 |
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
|
|
|
95 |
32 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
7 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
3 |
|
- |
|
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
3 |
|
- |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
2 |
|
- |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
= |
5 |
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
84 |
21 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
59 |
First Total |
863 |
260 |
62 |
|
|
|
10 |
10 |
|
16 |
|
|
|
|
|
- |
- |
- |
- |
- |
- |
5+9 |
Add to Reduce |
8+6+3 |
2+6+0 |
1+0 |
|
|
|
1+0 |
1+0 |
3+3 |
1+6 |
6+5 |
1+8 |
2+8 |
|
7+2 |
- |
- |
- |
- |
- |
- |
14 |
Second Total |
17 |
8 |
8 |
|
|
|
1 |
1 |
6 |
7 |
|
|
10 |
|
9 |
- |
- |
- |
- |
- |
- |
1+4 |
Reduce to Deduce |
1+7 |
- |
- |
|
|
|
|
|
- |
|
1+1 |
|
1+0 |
|
- |
- |
|
- |
- |
|
- |
5 |
Essence of Number |
8 |
8 |
8 |
|
|
|
|
|
6 |
|
2 |
|
1 |
|
9 |
SUN MERCURY VENUS EARTH MOON MARS JUPITER SATURN URANUS NEPTUNE PLUTO
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
N |
= |
5 |
- |
6 |
NINETY |
87 |
33 |
6 |
N |
= |
5 |
- |
4 |
NINE |
42 |
24 |
6 |
S |
- |
12 |
|
13 |
Add to Reduce |
|
|
|
- |
-`` |
1+2 |
-`` |
1+3 |
Reduce to Deduce |
1+6+2 |
7+2 |
1+8 |
S |
- |
3 |
|
4 |
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
7 |
- |
4 |
LOVE |
54 |
18 |
9 |
I |
= |
9 |
- |
2 |
IS |
28 |
19 |
4 |
- |
- |
31 |
- |
14 |
First Total |
|
|
|
- |
- |
3+1 |
- |
1+4 |
Add to Reduce |
1+6+2 |
8+1 |
1+8 |
- |
- |
4 |
- |
5 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
4 |
- |
5 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
18 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
76 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
27 |
9 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
10 |
|
133 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
121 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
5+8 |
Add to Reduce |
9+9+5 |
2+6+6 |
5+9 |
|
|
|
|
|
|
|
1+4 |
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
Reduce to Deduce |
2+3 |
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
76 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
121 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
133 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
18 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
27 |
9 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
5+8 |
Add to Reduce |
9+9+5 |
2+6+6 |
5+9 |
|
|
|
|
|
|
|
1+4 |
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
Reduce to Deduce |
2+3 |
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
ALL IS NUMBER |
- |
- |
- |
3 |
|
25 |
7 |
|
2 |
|
28 |
10 |
|
6 |
|
73 |
28 |
|
|
ALL IS NUMBER |
|
|
|
|
- |
1+2+6 |
4+5 |
|
|
ALL IS NUMBER |
|
|
|
|
|
|
|
|
NUMBERS |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
6 |
7 |
8 |
|
U |
= |
3 |
|
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
6 |
7 |
8 |
|
M |
= |
4 |
|
1 |
M |
13 |
4 |
4 |
|
|
|
|
|
|
6 |
7 |
8 |
|
B |
= |
2 |
|
1 |
B |
2 |
2 |
2 |
|
|
|
|
|
|
6 |
7 |
8 |
|
E |
= |
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
6 |
7 |
8 |
|
R |
= |
9 |
|
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
6 |
7 |
8 |
|
S |
= |
1 |
|
1 |
S |
19 |
1 |
1 |
|
|
|
|
|
|
6 |
7 |
8 |
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
10 |
|
7 |
8 |
|
|
|
2+9 |
|
|
|
9+2 |
2+9 |
2+9 |
|
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
7 |
NUMBERS |
|
|
|
|
|
|
|
|
1 |
|
7 |
8 |
|
|
|
1+1 |
|
|
|
1+1 |
1+1 |
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
NUMBERS |
|
|
|
|
|
|
|
|
1 |
|
7 |
8 |
|
- |
- |
- |
|
- |
NUMBERS |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
1 |
S |
19 |
1 |
1 |
|
|
|
|
|
|
6 |
7 |
8 |
|
B |
= |
2 |
|
1 |
B |
2 |
2 |
2 |
|
|
|
|
|
|
6 |
7 |
8 |
|
U |
= |
3 |
|
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
6 |
7 |
8 |
|
M |
= |
4 |
|
1 |
M |
13 |
4 |
4 |
|
|
|
|
|
|
6 |
7 |
8 |
|
N |
= |
5 |
|
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
6 |
7 |
8 |
|
E |
= |
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
6 |
7 |
8 |
|
R |
= |
9 |
|
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
6 |
7 |
8 |
|
- |
- |
|
|
7 |
|
|
|
|
|
|
|
|
|
10 |
|
7 |
8 |
|
- |
- |
2+9 |
|
- |
- |
9+2 |
2+9 |
2+9 |
|
|
|
|
|
1+0 |
|
|
|
|
- |
- |
|
|
7 |
NUMBERS |
|
|
|
|
|
|
|
|
1 |
|
7 |
8 |
|
- |
- |
1+1 |
|
- |
- |
1+1 |
1+1 |
1+1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
7 |
NUMBERS |
|
|
|
|
|
|
|
|
1 |
|
7 |
8 |
|
I |
= |
9 |
- |
3 |
IS |
28 |
19 |
4 |
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
I |
= |
9 |
- |
2 |
IS THAT IS |
105 |
33 |
6 |
- |
- |
31 |
- |
14 |
First Total |
|
|
|
- |
- |
3+1 |
- |
1+4 |
Add to Reduce |
1+8+0 |
7+2 |
1+8 |
- |
- |
4 |
- |
5 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
4 |
- |
5 |
Essence of Number |
|
|
|
- |
EGYPT |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
|
- |
5 |
1 |
G |
7 |
7 |
7 |
- |
7 |
- |
1 |
Y |
25 |
7 |
7 |
- |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
7 |
- |
1 |
T |
20 |
2 |
2 |
|
- |
2 |
5 |
EGYPT |
73 |
28 |
28 |
- |
21 |
7 |
|
- |
7+3 |
2+8 |
2+8 |
- |
2+1 |
- |
5 |
EGYPT |
10 |
10 |
10 |
|
3 |
7 |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
5 |
EGYPT |
1 |
1 |
1 |
|
3 |
7 |
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
- |
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
- |
2 |
- |
- |
|
occurs |
x |
|
= |
2 |
= |
|
|
|
- |
|
|
|
|
|
|
3 |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
- |
- |
|
- |
- |
5 |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
5 |
= |
|
|
|
- |
|
|
|
|
|
|
6 |
|
|
|
|
- |
- |
|
- |
- |
- |
7 |
7 |
7 |
- |
- |
- |
|
occurs |
x |
|
= |
21 |
2+1 |
|
|
|
- |
|
|
|
|
|
|
8 |
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
9 |
|
|
|
|
- |
- |
|
31 |
5 |
E |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
3+1 |
- |
- |
7 |
7 |
7 |
|
|
|
1+4 |
|
|
- |
|
2+8 |
|
1+0 |
4 |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
|
|
|
2 |
|
|
- |
|
|
- |
|
1+0 |
|
- |
4 |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
7 |
7 |
7 |
2 |
|
|
- |
|
|
- |
|
1+0 |
|
- |
4 |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
2 |
- |
- |
|
occurs |
x |
|
= |
2 |
= |
|
- |
5 |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
5 |
= |
|
- |
- |
7 |
7 |
7 |
- |
- |
- |
|
occurs |
x |
|
= |
21 |
2+1 |
|
5 |
E |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
7 |
7 |
7 |
|
|
|
1+4 |
|
|
- |
|
2+8 |
|
1+0 |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
|
|
|
2 |
|
|
- |
|
|
- |
|
1+0 |
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
7 |
7 |
7 |
2 |
|
|
- |
|
|
- |
|
1+0 |
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
AEGYPTIACA |
88 |
43 |
7 |
5 |
EGYPT |
73 |
28 |
1 |
15 |
Add to Reduce |
|
|
|
1+5 |
Reduce to Deduce |
1+6+1 |
7+1 |
- |
|
Essence of Number |
|
|
|
THE
DOG GOD ANUBIS A NUMBER
IS
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
D |
= |
4 |
- |
3 |
DOG |
26 |
17 |
8 |
A |
= |
1 |
- |
6 |
ANUBIS |
66 |
21 |
3 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
1 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
- |
- |
29 |
|
24 |
First Total |
|
|
|
- |
- |
2+9 |
- |
2+4 |
Add to Reduce |
2+5+3 |
1+0+9 |
2+8 |
Q |
- |
11 |
- |
|
Second Total |
|
|
|
- |
- |
1+1 |
- |
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
|
|
|
Essence of Number |
|
|
|
NARMER N RAM E R NARMER
R NAME R
NARMER N RAM E R NARMER
|
|
|
|
3 |
RAM |
- |
- |
- |
|
|
|
|
|
R |
18 |
9 |
|
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
3 |
|
32 |
14 |
14 |
|
|
|
|
- |
- |
3+2 |
1+4 |
1+4 |
|
|
|
|
3 |
|
15 |
5 |
5 |
|
|
|
|
3 |
RAM |
- |
- |
- |
|
|
|
|
|
R |
18 |
9 |
|
|
|
|
|
|
A+M |
14 |
5 |
|
|
|
|
|
3 |
|
32 |
14 |
14 |
|
|
|
|
- |
- |
3+2 |
1+4 |
1+4 |
|
|
|
|
3 |
|
5 |
5 |
5 |
THE DEAD SEA SCROLLS
J. M. Allegro 1956
Page 152
"IN THAT DAY I WILL RAISE UP THE TABERNACLE OF DAVID THAT IS FALLEN"
- |
THE HOLY GHOST |
- |
- |
- |
3 |
|
33 |
15 |
|
4 |
|
60 |
24 |
|
5 |
|
69 |
33 |
|
|
THE HOLY GHOST |
|
|
|
1+2 |
- |
1+6+2 |
7+2 |
1+8 |
|
THE HOLY GHOST |
|
|
|
- |
THE HOLY WORD |
- |
- |
- |
3 |
|
33 |
15 |
|
4 |
|
60 |
24 |
|
4 |
|
60 |
24 |
|
|
THE HOLY WORD |
|
|
|
1+1 |
- |
1+5+3 |
6+3 |
1+8 |
|
THE HOLY WORD |
|
|
|
HOLY BIBLE
King James Version
Amos 9:11 (KJV)
In that day will I raise up the tabernacle of David that is fallen,
and close up the breaches thereof; and I will raise up his ruins, and I will build it as in the days of old:
- |
THE HOLY NAME |
- |
- |
- |
3 |
|
33 |
15 |
|
4 |
|
60 |
24 |
|
4 |
|
33 |
15 |
|
|
THE HOLY NAME |
|
|
|
1+1 |
- |
1+2+6 |
5+4 |
1+8 |
|
THE HOLY NAME |
|
|
|
|
|
|
|
10 |
|
126 |
54 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
|
|
2 |
|
|
|
|
|
|
|
H |
= |
8 |
2 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
8 |
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
3 |
|
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
4 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
8 |
|
|
|
|
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
I2 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
24 |
|
4 |
|
60 |
24 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
M |
= |
4 |
10 |
1 |
M |
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
3 |
|
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
- |
- |
54 |
- |
10 |
|
126 |
54 |
54 |
|
|
|
|
|
15 |
|
|
16 |
9 |
- |
- |
5+4 |
- |
1+0 |
1 |
1+2+6 |
5+4 |
5+4 |
|
|
|
|
|
1+5 |
|
|
1+6 |
|
- |
- |
9 |
- |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
6 |
|
|
7 |
|
|
|
|
|
10 |
|
126 |
54 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
|
|
2 |
|
|
|
|
|
|
9 |
H |
= |
8 |
2 |
1 |
H |
8 |
8 |
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9 |
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3 |
1 |
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5 |
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8 |
4 |
1 |
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8 |
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8 |
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15 |
6 |
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6 |
1 |
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I2 |
3 |
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7 |
1 |
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25 |
7 |
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8 |
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14 |
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4 |
10 |
1 |
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13 |
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9 |
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11 |
1 |
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5 |
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54 |
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10 |
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126 |
54 |
54 |
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15 |
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16 |
9 |
- |
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5+4 |
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1+0 |
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1+5 |
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1+6 |
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- |
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9 |
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6 |
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2 |
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126 |
54 |
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15 |
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5+4 |
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1+0 |
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9 |
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6 |
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7 |
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9 |
PARRHESIA |
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7 |
7 |
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4 |
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6 |
|
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1 |
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1 |
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1 |
1 |
1 |
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|
2 |
3 |
4 |
|
6 |
|
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9 |
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18 |
9 |
9 |
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2 |
3 |
4 |
|
6 |
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9 |
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4 |
1 |
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18 |
9 |
9 |
- |
- |
2 |
3 |
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|
6 |
|
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8 |
|
5 |
1 |
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8 |
8 |
8 |
- |
- |
2 |
3 |
4 |
|
6 |
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- |
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5 |
|
6 |
1 |
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5 |
5 |
5 |
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2 |
3 |
4 |
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6 |
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1 |
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7 |
1 |
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19 |
10 |
1 |
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2 |
3 |
4 |
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6 |
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8 |
1 |
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9 |
9 |
9 |
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2 |
3 |
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6 |
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1 |
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9 |
1 |
A |
1 |
1 |
1 |
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2 |
3 |
4 |
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6 |
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- |
- |
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- |
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- |
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- |
- |
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PARRHESIA |
|
|
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|
|
|
|
|
7 |
8 |
|
- |
- |
5+0 |
|
- |
|
- |
9+5 |
5+9 |
5+0 |
|
|
|
|
|
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|
|
|
1+8 |
Q |
- |
|
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- |
|
PARRHESIA |
|
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7 |
8 |
|
- |
- |
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1+4 |
1+4 |
|
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Q |
- |
|
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- |
|
PARRHESIA |
|
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|
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|
7 |
8 |
|
|
|
|
|
|
9 |
PARRHESIA |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
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1 |
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2 |
1 |
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1 |
1 |
1 |
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2 |
3 |
4 |
|
6 |
|
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1 |
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7 |
1 |
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19 |
10 |
1 |
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2 |
3 |
4 |
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6 |
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1 |
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1 |
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1 |
1 |
1 |
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2 |
3 |
4 |
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6 |
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5 |
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6 |
1 |
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5 |
5 |
5 |
- |
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2 |
3 |
4 |
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6 |
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- |
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= |
7 |
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1 |
1 |
P |
16 |
7 |
7 |
- |
- |
2 |
3 |
4 |
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6 |
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- |
H |
= |
8 |
|
5 |
1 |
H |
8 |
8 |
8 |
- |
- |
2 |
3 |
4 |
|
6 |
|
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R |
= |
9 |
|
3 |
1 |
R |
18 |
9 |
9 |
- |
- |
2 |
3 |
4 |
|
6 |
|
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R |
= |
9 |
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4 |
1 |
R |
18 |
9 |
9 |
- |
- |
2 |
3 |
4 |
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6 |
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9 |
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8 |
1 |
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9 |
9 |
9 |
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2 |
3 |
4 |
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6 |
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PARRHESIA |
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8 |
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5+0 |
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5+9 |
5+0 |
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PARRHESIA |
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1+4 |
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PARRHESIA |
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7 |
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9 |
PARRHESIA |
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7 |
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8 |
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5 |
1 |
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8 |
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9 |
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3 |
1 |
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18 |
9 |
9 |
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9 |
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4 |
1 |
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9 |
9 |
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9 |
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8 |
1 |
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9 |
9 |
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- |
- |
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|
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PARRHESIA |
|
|
|
|
|
|
7 |
8 |
|
- |
- |
5+0 |
|
- |
|
- |
9+5 |
5+9 |
5+0 |
|
|
|
|
|
1+8 |
Q |
- |
|
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- |
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PARRHESIA |
|
|
|
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|
7 |
8 |
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- |
- |
|
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- |
1+4 |
1+4 |
|
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|
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Q |
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PARRHESIA |
|
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7 |
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|
Parrhesia - Wikipedia
https://en.wikipedia.org/wiki/Parrhesia
This Ancient Greek word has three different forms, as related by Michel Foucault: parrhesia, is a noun, meaning "free speech"; parrhesiazomai, a verb, means "to use parrhesia"; and a parrhesiastes is one who uses parrhesia, for example "one who speaks the truth to power".
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
W |
= |
5 |
- |
3 |
WHO |
46 |
19 |
1 |
S |
= |
1 |
- |
6 |
SPEAKS |
71 |
17 |
8 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
T |
= |
2 |
- |
5 |
TRUTH |
87 |
24 |
6 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
P |
= |
3 |
- |
5 |
POWER |
77 |
32 |
5 |
- |
- |
21 |
- |
27 |
First Total |
|
|
|
- |
- |
2+1 |
- |
2+7 |
Add to Reduce |
3+8+3 |
1+3+1 |
4+1 |
- |
- |
3 |
- |
9 |
Second Total |
|
|
5 |
- |
- |
- |
- |
- |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
3 |
- |
9 |
Essence of Number |
5 |
5 |
|
For the moth genus, see Parrhesia (moth). For the region of Ancient Greece, see Parrhasia (Arcadia). For the journal, see Parrhesia: A Journal of Critical Philosophy.
In rhetoric, parrhesia is a figure of speech described as: "to speak candidly or to ask forgiveness for so speaking".[1] This Ancient Greek word has three different forms, as related by Michel Foucault: parrhesia, is a noun, meaning "free speech"; parrhesiazomai, a verb, means "to use parrhesia"; and a parrhesiastes is one who uses parrhesia, for example "one who speaks the truth to power".[2]
Etymology[edit]
The term parrhesia first appears in Greek literature in Euripides and can be found in ancient Greek texts throughout the end of the fourth century and during fifth century B.C.[2] The term is borrowed from the Greek pa???s?a parrhesía (p?? "all" and ??s?? "utterance, speech") meaning literally "to speak everything" and by extension "to speak freely", "to speak boldly", or "boldness".[3] It implies not only freedom of speech, but the obligation to speak the truth for the common good, even at personal risk.
Usage in ancient Greece[edit]
In ancient Greece, rhetoric and parrhesia were understood to be in opposition to each other through the dialogues written by Plato. There are two major philosophies during this period, one being Sophistry and one being Dialectic.
Sophistry is most commonly associated with the use of rhetoric or means of persuasion to teach or persuade an audience. In its opposition is the practice of dialectic, supported by Plato and his mentor Socrates, which uses dialogue to break apart complex issues in search of absolute truth or knowledge. In Plato's writings, specifically Gorgias, the term parrhesia is more closely associated with dialectic meaning that it is "free speech" and not rhetoric or manipulation.
Parrhesia was a fundamental component of the democracy of Classical Athens. In assemblies and the courts Athenians were free to say almost anything, and in the theatre, playwrights such as Aristophanes made full use of the right to ridicule whomever they chose.[4] Elsewhere there were limits to what might be said; freedom to discuss politics, morals, religion, or to criticize people would depend on context: by whom it was made, and when, and how, and where.[5]
If a man was seen as immoral, or his views went contrary to popular opinion, then there were great risks involved in making use of such an unbridled freedom of speech, as Socrates found out when he was sentenced to death for not adoring Athens' gods and for corrupting the young.[4]
S |
= |
1 |
- |
5 |
SPEAK |
52 |
16 |
7 |
E |
= |
5 |
- |
10 |
EVERYTHING |
133 |
61 |
7 |
- |
- |
6 |
- |
15 |
First Total |
|
|
|
- |
- |
- |
- |
1+5 |
Add to Reduce |
1+8+5 |
7+7 |
1+4 |
- |
- |
6 |
- |
6 |
Second Total |
|
|
5 |
- |
- |
- |
- |
- |
Reduce to Deduce |
1+4 |
1+4 |
- |
- |
- |
6 |
- |
6 |
Essence of Number |
5 |
5 |
|
Definition and Examples of Parrhesia - ThoughtCo
https://www.thoughtco.com › Humanities › English › English Grammar
6 Sep 2017 - In classical rhetoric, parrhesia is free, frank, and fearless speech. Many famous examples exist of this style, some of which you'll find
by Richard Nordquist
Updated September 06, 2017
In classical rhetoric, parrhesia is free, frank, and fearless speech. In ancient Greek thought, speaking with parrhesia meant "saying everything" or "speaking one's mind." "An intolerance of parrhesia," notes S. Sara Monoson, "marked tyranny of both the Hellenic and Persian varieties in the Athenian view. . . . The coupling of freedom and parrhesia in the democratic self-image . . . functioned to assert two things: the critical attitude appropriate to a democratic citizen, and the open life promised by democracy" (Plato's Democratic Entanglements, 2000).
Examples and Observations
"The author of [Rhetorica] ad Herennium discussed a figure of thought called parrhesia ('frankness of speech'). This figure occurs 'when, talking before those to whom we owe reverence or fear, we yet exercise our right to speak out, because we seem justified in reprehending them, or persons dear to them, for some fault' (IV xxxvi 48). For example: 'The university administration has tolerated hate speech on this campus, and so to some extent they are responsible for its widespread use.' An opposing figure is litotes
(understatement), where a rhetor diminishes some feature of the situation that is obvious to all."
(Sharon Crowley and Debra Hawhee, Ancient Rhetorics for Contemporary Students. Pearson, 2004)
"To best reflect the meanings in its own context, parrhesia should be thought of as 'true speech': the parrhesiastes is the one who speaks the truth. Parrhesia required that the speaker use the most direct words and expressions possible in order to make it clear that whatever he might be saying was his own opinion. As a 'speech activity,' parrhesia was largely limited to male citizens."
(Kyle Grayson, Chasing Dragons. University of Toronto Press, 2008)
"What is basically at stake in parrhesia is what could be called, somewhat impressionistically, the frankness, freedom, and openness, that leads one to say what one has to say, as one wishes to say it, when one wishes to say it, and in the form one thinks is necessary for saying it. The term parrhesia is so bound up with the choice, decision, and attitude of the person speaking that the Latins translated it by, precisely, libertas [speaking freely]."
(Michel Foucault, The Hermeneutics of the Subject: Lectures at the College de France 1981--1982. Macmillan, 2005)
The Fearless Speech of Malcolm X
"Malcolm X is the great example of parrhesia in the black prophetic tradition. The term goes back to line 24A of Plato's Apology, where Socrates says, the cause of my unpopularity was my parrhesia, my fearless speech, my frank speech, my plain speech, my unintimidated speech. The hip hop generation talks about 'keeping it real.' Malcolm was as real as it gets. James Brown talked about 'make it funky.' Malcolm was always. 'Bring in the funk, bring in the truth, bring in the reality. . . .
"When Malcom looked at black life in America, he saw wasted potential; he saw unrealized aims. This kind of prophetic witness can never be crushed. There was no one like him in terms of having the courage to risk life and limb to speak such painful truths about America."
(Cornel West, "Firebrand." Smithsonian, February 2015)
Eisenhower on the Military-Industrial Complex
"We annually spend on military security alone more than the net income of all United States corporations.
"Now this conjunction of an immense military establishment and a large arms industry is new in the American experience. The total influence--economic, political, even spiritual--is felt in every city, every Statehouse, every office of the Federal government. We recognize the imperative need for this development. Yet, we must not fail to comprehend its grave implications. Our toil, resources, and livelihood are all involved. So is the very structure of our society.
"In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military-industrial complex. The potential for the disastrous rise of misplaced power exists and will persist. We must never let the weight of this combination endanger our liberties or democratic processes. We should take nothing for granted. Only an alert and knowledgeable citizenry can compel the proper meshing of the huge industrial and military machinery of defense with our peaceful methods and goals, so that security and liberty may prosper together. . . .
"Disarmament, with mutual honor and confidence, is a continuing imperative. Together we must learn how to compose differences, not with arms, but with intellect and decent purpose. Because this need is so sharp and apparent, I confess that I lay down my official responsibilities in this field with a definite sense of disappointment. As one who has witnessed the horror and the lingering sadness of war, as one who knows that another war could utterly destroy this civilization which has been so slowly and painfully built over thousands of years, I wish I could say tonight that a lasting peace is in sight.
"Happily, I can say that war has been avoided. Steady progress toward our ultimate goal has been made. But so much remains to be done."
(President Dwight Eisenhower, Farewell Address, January 17, 1961)
Straight Talk as a Rhetorical Trope
"I read S. Sara Monoson's excellent work on parrhesia (frank speech) in ancient Athens. I thought, this is it--we can use this ethic of parrhesia as our own democratic ideal! But then I began to notice that our popular culture in fact already praised something like parrhesia: straight talk. Political theorists also have a similar ethic: sincerity. But the problem was that a lot of straight-talkers seemed deeply undemocratic: straight talk seemed to have become a trope, another tool of crafty politicians and smart advertising executives."
(Elizabeth Markovits, The Politics of Sincerity: Plato, Frank Speech, and Democratic Judgment. The Pennsylvania State University PRESS 2008
P |
= |
7 |
|
|
PARRHESIA |
|
|
|
- |
|
|
- |
|
- |
9+5 |
5+9 |
5+0 |
P |
= |
7 |
- |
|
PARRHESIA |
|
|
|
- |
|
|
|
|
- |
1+4 |
1+4 |
|
P |
= |
7 |
- |
|
PARRHESIA |
|
|
|
SEE WHERE SEE THERE SEE HERE
HEAR HERA HEAR
ZEUS SEE US SEE ZEUS
JESUS US SEE US JESUS
Were there actually 72 thorns on the crown that was put on Jesus ...
https://www.quora.com/Were-there-actually-72-thorns-on-the-crown-that-was-put-on-Je...
2 Dec 2018 - As to Jesus’s crown, I doubt anybody counted the thorns, even if the crown actually existed. ... Is the crown of thorns of Jesus Christ in France a fake relic? What was the number of thorns in the crown placed on Jesus Christ’s head
LENT 2017 - Catholic Tradition
www.catholictradition.org/Passion/lent.htm
There were 72 thorns in the Crown of the Passion; this number has liturgical significance - it symbolizes the 72 disciples of Jesus and the 72 books of the Bible; ...
Preview - The Healing Wounds of Jesus - Champagnat.org
www.champagnat.org/shared/prayers/HealingWounds.
hair; pricked with thorns and pulled by the beard 23 times; received 20 wounds on the head; thorns of marine junks,. 72; pricks of thorns in the head, 110; mortal ...
It is mentioned in the gospels of Matthew ("And when they had plaited a crown of thorns, they put it upon his head, and a reed in his right hand: and they bowed the knee and mocked him, saying Hail, King of the Jews!"
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
C |
= |
3 |
- |
5 |
CROWN |
73 |
28 |
1 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
6 |
THORNS |
94 |
31 |
4 |
- |
- |
12 |
- |
14 |
Add to Reduce |
|
|
|
- |
- |
1+2 |
- |
1+4 |
Reduce to Deduce |
1+8+0 |
7+2 |
- |
- |
- |
3 |
- |
5 |
Essence of Number |
|
|
|
48 Bible Verses about Crown Of Thorns - OpenBible.info
https://www.openbible.info/topics/crown_of_thorns
And twisting together a crown of thorns, they put it on his head and put a reed in his right hand. And kneeling before him, they mocked him, saying, “Hail, King of ...
4 Bible verses about Crown Of Thorns - Knowing Jesus – Bible
https://bible.knowing-jesus.com/topics/Crown-of-thorns
And the soldiers twisted together a crown of thorns and put it on His head, and put a purple robe on Him; ... And after twisting together a crown of thorns, they put it on His head, and a reed in His right hand; and they knelt down before Him and mocked Him, saying, "Hail, King of the ...
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
5 |
CROWN |
73 |
28 |
1 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
6 |
THORNS |
94 |
31 |
4 |
- |
- |
13 |
- |
16 |
First Total |
|
|
|
- |
- |
1+3 |
- |
1+6 |
Add to Reduce |
2+2+1 |
8+6 |
1+4 |
- |
- |
4 |
- |
7 |
Second Total |
5 |
|
5 |
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+4 |
- |
- |
- |
4 |
- |
7 |
Essence of Number |
|
5 |
|
John 19 NASB - The Crown of Thorns - Pilate then took - Bible Gateway
https://www.biblegateway.com/passage/?search=John+19&version=NASB
The Crown of Thorns - Pilate then took Jesus and scourged Him.
And the soldiers twisted together a crown of thorns and put it on His head...
THE
WEIGHING IN BALANCE OF THE HEART
UNLESS A HUMAN BE BORN AGAIN THEY CANNOT ENTER THE KINGDOM OF EVEN
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
W |
= |
5 |
- |
8 |
WEIGHING |
82 |
55 |
1 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
H |
= |
8 |
- |
5 |
HEART |
52 |
25 |
7 |
- |
- |
23 |
- |
21 |
- |
221 |
122 |
23 |
- |
- |
2+3 |
- |
2+1 |
- |
2+2+1 |
1+2+2 |
2+3 |
- |
- |
5 |
- |
3 |
- |
5 |
5 |
5 |
A |
= |
1 |
- |
2 |
AT |
21 |
3 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
6 |
COMING |
61 |
34 |
7 |
F |
= |
6 |
- |
5 |
FORTH |
67 |
31 |
4 |
B |
= |
2 |
- |
2 |
BY |
27 |
9 |
9 |
D |
= |
4 |
- |
3 |
DAY |
30 |
12 |
8 |
- |
- |
18 |
- |
21 |
- |
|
|
|
- |
- |
1+8 |
- |
2+1 |
- |
2+3+9 |
1+0+4 |
3+2 |
- |
- |
|
- |
3 |
- |
|
|
5 |
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
- |
- |
|
- |
3 |
- |
|
|
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
M |
= |
4 |
- |
4 |
MIND |
40 |
22 |
4 |
- |
- |
15 |
- |
13 |
Add to Reduce |
|
|
|
- |
- |
1+5 |
- |
1+3 |
Reduce to Deduce |
1+2+6 |
7+2 |
1+8 |
- |
- |
6 |
- |
4 |
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
M |
= |
4 |
- |
4 |
MIND |
40 |
22 |
4 |
- |
- |
13 |
- |
10 |
First Total |
|
|
|
- |
- |
1+3 |
- |
1+0 |
Add to Reduce |
9+9 |
7+2 |
1+8 |
- |
- |
4 |
- |
1 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
4 |
- |
1 |
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
7 |
- |
4 |
LOVE |
54 |
18 |
9 |
I |
= |
9 |
- |
2 |
IS |
28 |
19 |
4 |
- |
- |
31 |
- |
14 |
First Total |
|
|
|
- |
- |
3+1 |
- |
1+4 |
Add to Reduce |
1+6+2 |
8+1 |
1+8 |
- |
- |
4 |
- |
5 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
4 |
- |
5 |
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
H |
= |
8 |
- |
4 |
HOLY |
60 |
24 |
6 |
M |
= |
4 |
- |
5 |
MAGIC |
33 |
24 |
6 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
I |
= |
9 |
- |
2 |
IS |
19 |
10 |
1 |
M |
= |
4 |
- |
4 |
MAYA |
40 |
13 |
4 |
- |
- |
29 |
- |
22 |
First Total |
|
99 |
|
- |
- |
2+9 |
- |
2+2 |
Add to Reduce |
2+3+4 |
9+9 |
2+7 |
- |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
1+1 |
- |
- |
Reduce to Deduce |
- |
1+8 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
MAYA YAMA LIFE DEATH THREADS LIFE I ME I LIFE THREADS DEATH LIFE YAMA MAYA
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
4 |
REAL |
36 |
18 |
9 |
I |
= |
9 |
- |
8 |
ILLUSION |
111 |
39 |
3 |
- |
- |
29 |
- |
22 |
First Total |
|
|
|
- |
- |
2+9 |
- |
2+2 |
Add to Reduce |
2+7+0 |
1+0+8 |
1+8 |
- |
- |
11 |
- |
4 |
Second Total |
|
|
|
- |
- |
1+1 |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
2 |
- |
|
Essence of Number |
|
|
|
UNCONDITIONAL LIFE
MASTERING THE FORCES THAT SHAPE PERSONAL REALITY
Deepak Chopra 1991
A Mirage of Miracles
Page 89
"The Mask of Maya"
"...denoting the ability of gods to change form, to make worlds, to assume masks and disguises."
"Maya also means magic a show of illusions"
"Maya also denotes the delusion of thinking that you are seeing reality when in fact you are only seeing a layer of trick effects superimposed upon the real reality
True to its deceptive nature, Maya is full of paradoxes. First of all it is everywhere, even though it doesnt exist. It is / Page 90 / often compared with a desert mirage, yet unlike a mirage Maya does not merely float "out there" The Mysterious One is nowhere if not in each person. Finally Maya is not so omnipotent that we cannot control it - and that is the key point Maya is fearfull or diverting all powerful or completely impotent depending on your perspective."
"The fearfull illusion becomes a wonderful show if only you can manipulate it."
1 |
- |
R |
= |
9 |
6 |
RE ATUM |
78 |
24 |
6 |
- |
1 |
2 |
- |
S |
= |
1 |
3 |
SHU |
48 |
12 |
3 |
- |
2 |
3 |
|
T |
= |
2 |
6 |
TEFNUT |
86 |
23 |
5 |
|
3 |
4 |
- |
G |
= |
7 |
3 |
GEB |
14 |
14 |
5 |
- |
4 |
5 |
- |
N |
= |
5 |
3 |
NUT |
55 |
10 |
1 |
- |
5 |
6 |
- |
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
- |
6 |
7 |
- |
I |
= |
9 |
4 |
ISIS |
56 |
20 |
2 |
- |
7 |
8 |
|
S |
= |
1 |
3 |
SET |
44 |
8 |
8 |
|
8 |
9 |
- |
N |
= |
5 |
8 |
NEPHTHYS |
115 |
43 |
7 |
- |
9 |
|
- |
- |
- |
45 |
42 |
First Total |
|
|
|
- |
|
4+5 |
- |
- |
- |
4+5 |
|
Add to Reduce |
5+8+5 |
1+8+9 |
4+5 |
- |
4+5 |
|
|
|
|
|
6 |
Second Total |
|
|
|
|
|
- |
- |
- |
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
|
- |
- |
- |
9 |
6 |
Essence of Number |
|
|
|
- |
|
THE
LIVING GODS ENERGIES GODS LIVING
DIVINE THOUGHT THOUGHT DIVINE
THE
CREATORS
R LIGHT PERFECT CREATORS I ME I ME I CREATORS PERFECT LIGHT R
3 |
THE |
33 |
15 |
6 |
5 |
ENNEA |
39 |
21 |
3 |
|
Add to Reduce |
|
|
|
- |
Reduce to Deduce |
7+2 |
3+6 |
- |
|
Essence of Number |
|
|
|
THE LENGTH OF THE GRAND GALLERY IN THE GREAT PYRAMID OF GIZA
IS ONE HUNDRED AND FIFTY THREE FEET
153 x 12 INCHES = 1836
A proton is 1,836 times heavier than an electron, and the number 1,836
would have the same connotations to any 'intelligence'"
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellar Rosetta Stone?
We believe there is a common language that all technical civilizations,
no matter how different, must have.
That common language is science and mathematics.
The laws of Nature are the same everywhere:..."
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT
JOURNEY DO
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
E |
= |
5 |
- |
8 |
EIGHTEEN |
55 |
46 |
1 |
T |
= |
2 |
- |
6 |
THIRTY |
100 |
37 |
1 |
S |
= |
1 |
- |
3 |
SIX |
52 |
25 |
7 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
A |
= |
1 |
- |
3 |
ALL |
25 |
7 |
7 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
- |
- |
14 |
- |
30 |
Add to Reduce |
333 |
153 |
27 |
- |
- |
1+4 |
- |
3+0 |
Reduce to Deduce |
3+3+3 |
1+5+3 |
2+7 |
Q |
- |
5 |
- |
|
Essence of
Number |
|
|
|
JUST SIX NUMBERS
Martin Rees
1
999
OUR COSMIC HABITAT I
PLANETS STARS AND LIFE
Page 24
"A proton is 1,836 times heavier than an electron,
and the number 1,836 would have the same connotations to any 'intelligence'
"
Page 24 / 25
"A manifestly artificial signal- even if it
were as boring as lists of prime numbers, or the digits of 'pi'
- would imply that 'intelli- gence' wasn't unique to the Earth and
had evolved elsewhere. The nearest potential sites are so far away
that signals would take many years in transit. For this reason alone,
transmission would be primarily one-way. There would be time to
send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some
concepts of mathematics and logic that paralleled our own. And they
would also share a knowledge of the basic particles and forces that
govern our universe. Their habitat may be very different (and the
biosphere even more different) from ours here on Earth; but they,
and their planet, would be made of atoms just like those on Earth.
For them, as for us, the most important particles would be protons
and electrons: one electron orbiting a proton makes a hydrogen atom,
and electric currents and radio transmitters involve streams of
electrons. "A proton is 1,836 times heavier than an electron,
and the number 1,836 would have the same connotations to any 'intelligence'
able and motivated to transmit radio signals. All the basic forces
and natural laws would be the same. Indeed, this uniformity - without
which our universe would be a far more baffling place - seems to
extend to the remotest galaxies that astronomers can study. (Later
chapters in this book will, however, speculate about other 'universes',
forever beyond range of our telescopes, where different laws may
prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds.
But we could exchange information about the ratios of two masses
(such as thc ratio of proton and electron masses) or of two lengths,
which are 'pure numbers' that don't depend on what units are used:
the statement that one rod is ten times as long as another is true
(or false) whether we measure lengths / in feet or metres or some
alien units"
A proton is 1,836 times heavier than an electron,
and the number 1,836
would have the same connotations to any 'intelligence'"
Visitors who live in Indonesia
6/17/2019
973-eht-namuh-973
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The greatest nine-digit number that can be made using nine different digits is 987,654,321. Using the number zero only makes the largest possible number smaller. To create the largest possible nine-digit number, the hundred-millions digit must be the biggest digit.
What Is the Greatest Nine-Digit Number You Can Make Using Nine ...
https://www.reference.com/.../greatest-nine-digit-number-can-make-using-nine-different...
What is the largest 9-digit number? - Quora
https://www.quora.com/What-is-the-largest-9-digit-number
5 Jun 2018 - In base , the largest nine-digit number is. In words this is nine hundred ninety-nine million, nine hundred ninety-nine thousand, nine hundred ninety-nine
Nancy Mitchell
Answered Jun 19, 2018 ·
Originally Answered: What is the largest 9 digit number?
What is the largest 9 digit number?
In base 10 10, the largest nine-digit number is
999,999,999. 999,999,999.
In words this is nine hundred ninety-nine million, nine hundred ninety-nine thousand, nine hundred ninety-nine.
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name.
Midsummer Night's Dream, Act V, Scene 1 :|: Open Source Shakespeare
https://owlcation.com › Humanities
The Greek Myth of the Wanderings of Io, the Woman Transformed to a Cow
Updated on May 15, 2016
Sarah L Maguire
Sarah has a PhD in Classical Civilisation from Swansea University. She continues to write on the Ancient World and other topics.
15 May 2016 - The Greek Myth of Io, turned into a cow by Zeus and pursued through the world by ... She continues to write on the Ancient World and other topics. ... Then the heifer began scratching with her hoof in the dust of the riverbank. ... The strait of the Bosphorus, now in Turkey was said to take its name as the place ...
Io is Guarded by Hundred-Eyed Argus the Herdsman
Hera, in turn, placed the cow in the custody of a herdsman called Argus, who was possessed of one hundred eyes in his head.
Each day, Argus would drive poor Io to pasture, his at least some of his many eyes always upon her as she grazed, while at night the girl was tethered by the neck to an olive tree in the grove of the Heraion.
One day, by chance, Argus brought Io to the meadow by her father's riverbank. Taking the opportunity, Io rushed up to her father and sisters and succeeded in getting their attention by her beauty and friendly demeanour. Soon her family were around her, petting her admiringly, not knowing, of course, that this was their beloved Io. Then the heifer began scratching with her hoof in the dust of the riverbank. The scratches became recognisable as letters and the astonished Inachus was able to read the story of what had happened to his daughter and realise that she stood before him, transformed to a beast of the field.
As Inachus embraced Io and lamented her fate bitterly, the remorseless Argus came stamping up and drove the heifer away from her family to another pasture.
Then the heifer began scratching with her hoof in the dust of the riverbank. The scratches became recognisable as letters and the astonished Inachus was able to read the story of what had happened to his daughter and realise that she stood before him, transformed to a beast of the field.
LOOKING FOR THE ALIENS
A PSYCHOLOGICAL, SCIENTIFIC AND IMAGINATIVE INVESTIGATION
Peter Hough & Jenny Randles 1991
12
Page 98
Somewhere over the Interstellar Rainbow
"In 1985, Glasgow University astronomer Professor Archie Roy was in buoyant mood. He told a journalist from the London Observer that, with new efforts to search the universe for intelligent signals, 'we can expect to make contact very quickly, probably within a decade.' He added that he thought civilizations were 'ten a penny' in the cosmos.
A year later, in an interview with Paul Whitehead in Flying Saucer Reuiew (volume 31, number 3,1986) Professor Roy confirmed this view by saying, 'if we are the product of natural evolution, it is highly improbable that we are alone in the universe.' Presumably this leaves the door open just in case we are not solely the product of natura1 processes (as scientists understandably assume), but are also the creation of a mystic force, otherwise known as God.
Roy actively pursues his broad1y based interest in this search. He subsequently became associated with Flying Saucer Review, and he has also become an active researcher and spokesperson in the heated debate over the potential 'alien' messages said by some to lie behind those crop circles recently found dotting the rural landscapes of our world.
However, the astronomer's seemingly reasonable hopes are, as yet, a long way from being fulfilled. Contact is proving unexpectedly elusive, which has led to some quite contradictory statements.
For instance, in 1981 Michael Papagiannis, of the astronomy department at Boston University, said that:
The euphoric optimism of the 'sixties and early 'seventies that communication with extraterrestrial civilizations seemed quite possible is being slowly replaced in the last couple of years by a pessimistic acceptance that we might be the only technological civilization in the entire galaxy.
(Royal Astronomical Society journal, volume 19, pp.277-281)
One can hardly find more polarized opinions than these, and they represent a crucial debate that increasingly dominates the field. While there seems to be a gut reaction based on deductive logic shared by most scientists, implying that life should be 'out there' in great abundance, there is mounting concern at our continued failure to find it.
Long before we understood the universe in any detail, we dreamt about this quest for alien life, and, as we have seen, still speculate on /Page 99 / what forms such beings might take. When science fiction became popular during the last century, we even began to wonder how we might establish contact.
Early ideas were ingenious, but impractical: such as building a giant mirror and using sunlight to send Morse-code signals to the (then still plausible) inhabitants of the moon or Mars. Of course, the limitations of physics meant that this could never work, even if there were Martians to see the signals. Only the brightest light that we can produce (a nuclear explosion) is potentially visible from another world and this lasts such a brief time that it is hardly likely to produce incontrovertible proof of life on earth. Alien scientists would dismiss any sightings just as freely as ours now reject claims about UFO appearances.
Another problem concerned the code to be used. How could the Martians have recognized the message, even if they had been able to see it? To thcm it would have been a meaningless series of flashes. How would they have unravelled any meaning behind it?
This problem exists even if it is assumed (as it nearly always was back then) that Martians, although probably looking like bug-eyed monsters, would still think like human beings. The truth is surely that aliens would be alien in every way and their thought processes would not work in the same manner as ours. That said, the chances of any message from us to them being remotely comprehensible appear to be feeble.
In science-fiction stories and films, such a problem is largely ignored, but that is merely an expediency to help the plot along. We suspend scientific logic to accommodate the story line. However, in any real search for life in the universe, we cannot afford to ignore such scientific reasoning. This complicates matters so much that one or two researchers even think it is a forlorn task. We will never communicate with an alien intelligence, even if we do come across one by chance. The result will be like a farmer staring at a cow and attempting to convey, by spoken language or gesture, why it has to go peacefully to the slaughterhouse.
These problems receive too little attention, even today. Our ability to humanize the aliens is an extreme failure on our part, which academics refer to as 'anthropomorphism'
Page 99
"The result will be like a farmer staring at a cow and attempting to convey, by spoken language or gesture, why it has to go peacefully to the slaughterhouse".
MAN AND THE STARS
CONTACT AND COMMUNICATION WITH OTHER INTELLIGENCE
Duncan Lunan 1974
a
liberating adventure for mankind or a disaster
Page 219
Planetary contact 3(c) - intelligence unrecognizable by physical form.
"There is a fantasy story about a university professor mysteriously translated into the body of a bull. After great efforts to communicate he finally gets the opportunity to write a message in the bloody sand of the slaughterhouse.. Unforunately, the man with the gun is illiterate - "another of those steers that do a crazy kind of dance." To get at case 3(c), we have to magnify that problem into an alien mind in a non-human body; could there be intelligences like Arthur C. Clarke's Atheleni,12 unable to develop technology until they meet a race gifted with hands?
"Dr Lilly' experiments suggested..."
SIMULATIONS OF GOD
THE SCIENCE OF BELIEF
John Lilly 1975
Page xi
"I am only an extraterrestrial who has come to the / Page xii / planet Earth to inhabit a human body, Everytime I leave this body and go back to my own civilization, I am expanded beyond all human imaginings, When I must return I am squeezed down into the limited vehicle."
F |
= |
6 |
- |
10 |
|
149 |
77 |
5 |
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1 |
1 |
|
6 |
6 |
|
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R |
= |
9 |
2 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
I |
= |
9 |
7 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
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|
9 |
|
|
|
12 |
1 |
|
5 |
5 |
|
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13 |
1 |
|
14 |
5 |
|
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|
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D |
= |
4 |
6 |
1 |
D |
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
19 |
10 |
|
|
1 |
|
|
|
|
|
|
|
|
H |
= |
8 |
1 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
8 |
|
I |
= |
9 |
7 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
4 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
- |
- |
63 |
- |
10 |
|
108 |
72 |
63 |
|
|
|
|
|
10 |
|
|
|
27 |
- |
- |
6+3 |
- |
1+0 |
1 |
1+0+8 |
7+2 |
6+3 |
|
|
|
|
|
1+0 |
|
|
|
2+7 |
- |
- |
9 |
- |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
1 |
|
|
|
|
F |
= |
6 |
- |
7 |
IMHOTEP |
149 |
77 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
1 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
M |
= |
4 |
2 |
1 |
M |
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
3 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
8 |
|
O |
= |
8 |
4 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
5 |
1 |
T |
20 |
2 |
2 |
|
|
2 |
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
- |
- |
41 |
- |
7 |
IMHOTEP |
86 |
41 |
41 |
|
|
|
|
|
|
|
|
|
9 |
- |
- |
4+1 |
- |
- |
1 |
8+6 |
4+1 |
4+1 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
5 |
- |
7 |
IMHOTEP |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
9 |
- |
- |
|
- |
- |
1 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
5 |
- |
7 |
IMHOTEP |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
9 |
F |
= |
6 |
- |
7 |
IMHOTEP |
149 |
77 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
1 |
1 |
I |
9 |
9 |
9 |
|
1 |
|
3 |
|
|
|
|
|
9 |
M |
= |
4 |
2 |
1 |
M |
13 |
4 |
4 |
|
1 |
|
3 |
|
|
|
|
|
|
H |
= |
8 |
3 |
1 |
H |
8 |
8 |
8 |
|
1 |
|
3 |
|
|
|
|
8 |
|
O |
= |
8 |
4 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
5 |
1 |
T |
20 |
2 |
2 |
|
1 |
2 |
3 |
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
- |
- |
41 |
- |
7 |
IMHOTEP |
86 |
41 |
41 |
|
|
|
|
|
|
|
|
|
9 |
- |
- |
4+1 |
- |
- |
1 |
8+6 |
4+1 |
4+1 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
5 |
- |
7 |
IMHOTEP |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
9 |
- |
- |
|
- |
- |
1 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
5 |
- |
7 |
IMHOTEP |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
9 |
F |
= |
6 |
- |
7 |
IMHOTEP |
149 |
77 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
5 |
1 |
T |
20 |
2 |
2 |
|
1 |
2 |
3 |
|
|
|
|
|
|
M |
= |
4 |
2 |
1 |
M |
13 |
4 |
4 |
|
1 |
|
3 |
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
8 |
4 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
16 |
7 |
|
|
|
|
|
|
|
|
7 |
|
|
H |
= |
8 |
3 |
1 |
H |
8 |
8 |
8 |
|
1 |
|
3 |
|
|
|
|
8 |
|
I |
= |
9 |
1 |
1 |
I |
9 |
9 |
9 |
|
1 |
|
3 |
|
|
|
|
|
9 |
- |
- |
41 |
- |
7 |
IMHOTEP |
86 |
41 |
41 |
|
|
|
|
|
|
|
|
|
9 |
- |
- |
4+1 |
- |
- |
1 |
8+6 |
4+1 |
4+1 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
5 |
- |
7 |
IMHOTEP |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
9 |
- |
- |
|
- |
- |
1 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
5 |
- |
7 |
IMHOTEP |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
9 |
METRO
Monday, October 6, 2014
Escape cover story Caroline Eden
SUCH STUFF AS DREAMS ARE MADE ON
“’painted hill of nine horses’
Shakespeare Quotes - Such Stuff as Dreams Are Made on.
www.enotes.com/shakespeare-quotes/we-such-stuff-dreams-made
The Tempest Act 4, scene 1, William Shakespeare
Prospero:
Our revels now are ended. These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air:
And like the baseless fabric of this vision,
The cloud-capp'd tow'rs, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on; and our little life
Is rounded with a sleep.
William Shakespeare ( 26 April 1564 (baptised) – 23 April 1616)
was an English poet and playwright, widely regarded as the greatest writer in the English ...
W |
= |
5 |
- |
2 |
WE |
28 |
10 |
1 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
S |
= |
1 |
- |
5 |
STUFF |
72 |
18 |
9 |
A |
= |
1 |
- |
2 |
AS |
20 |
2 |
2 |
D |
= |
4 |
- |
6 |
DREAMS |
60 |
24 |
6 |
A |
= |
1 |
- |
3 |
ARE |
24 |
15 |
6 |
M |
= |
4 |
- |
4 |
MADE |
23 |
14 |
5 |
O |
= |
6 |
- |
2 |
ON |
15 |
6 |
6 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
O |
= |
6 |
- |
3 |
OUR |
54 |
18 |
9 |
L |
= |
3 |
- |
6 |
LITTLE |
78 |
24 |
6 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
R |
= |
9 |
- |
7 |
ROUNDED |
81 |
36 |
9 |
W |
= |
5 |
- |
4 |
WITH |
60 |
24 |
6 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
S |
= |
1 |
- |
5 |
SLEEP |
57 |
21 |
3 |
- |
- |
62 |
|
66 |
First Total |
|
|
|
- |
- |
6+2 |
- |
6+6 |
Add to Reduce |
7+4+1 |
2+9+1 |
8+4 |
- |
- |
8 |
- |
12 |
Second Total |
|
|
|
- |
- |
- |
- |
1+2 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
"Hamlet Act 3 Scene 1"
Enter HAMLET
HAMLET
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time
The oppressor's wrong, the proud man's contumely
The pangs of despised love, the law's delay
The insolence of office and the spurns
That patient merit of the unworthy takes
When he himself might his quietus make
With a bare bodkin? Who would fardels bear
To grunt and sweat under a weary life
But that the dread of something after death
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought
And enterprises of great pith and moment
With this regard their currents turn awry
And lose the name of action. - Soft you now!
The fair Ophelia! Nymph, in thy orisons
Be all my sins remember'd.
William Shakespeare (baptised 1564 — died 1616)
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
5 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
10 |
8 |
|
120 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+0 |
|
3+0 |
Add to Reduce |
3+9+6 |
1+3+5 |
5+4 |
|
|
|
|
|
|
1+2 |
1+4 |
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
10 |
8 |
|
120 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
5 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+0 |
|
3+0 |
Add to Reduce |
3+9+6 |
1+3+5 |
5+4 |
|
|
|
|
|
|
1+2 |
1+4 |
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
8 |
10 |
8 |
|
120 |
39 |
|
|
|
|
|
|
|
|
|
|
|
4 |
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
7 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
9 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
2 |
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
6 |
2 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
2 |
5 |
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
4+0 |
|
3+0 |
Add to Reduce |
3+9+6 |
1+3+5 |
5+4 |
|
|
|
|
1+2 |
1+4 |
1+6 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
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|
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|
|
|
Essence of Number |
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|
TO BE OR NOT TO BE
THAT IS THE QUESTION
?
TO B E OR NOT TO B E
THAT IS THE QUESTION
?
TO BE OR NOT TO BE
IS
THAT THE QUESTION
?
TO B 5 OR NOT TO B 5
THAT IS THE QUESTION
?
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 496
" There is both rhyme and reason in what I say, I have made a dream poem of humanity.
I will cling to it .I will be good.
I will let death have no mastery over my thoughts.
For therein lies goodness and love of humankind, and in nothing else."
Page 496 / 497
"Love stands opposed to death. It is love, not reason, that is stronger than death . Only love, not reason, gives sweet thoughts. And from love and sweetness alone can form come: form and civilisation, friendly and enlightened , beautiful human intercourse-always in silent recognition of the blood-sacrifice. Ah, yes, it is it is well and truly dreamed. I have taken stock I will keep faith with death in my heart, yet well remember that faith with death and the dead is evil, is hostile to mankind, so soon as we give it power over thought and action.
For the sake of goodness and love, man shall let death have no sovereignty over his thoughts. - And with this - I awake. For I have dreamed it out to the end, I have come to my goal."
THE JOURNEYMAN 1977
THE HERMETICA
THE LOST WISDOM OF THE PHARAOHS
Timothy Freke & Peter Gandy
To the Memory of Giordano Bruno 1548 - 1600
Mundus Nihil Pulcherrimum
The World is a Beautiful Nothing
Page 23
"Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."
Page 45
The Being of Atum
"Atum is Primal Mind."
Page 45
The Being of Atum
Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight,
which comes only as a gift of grace.
It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it,
leaving behind not only the hearer, but even the teacher himself.
To conceive of Atum is difficult.
To define him is impossible.
The imperfect and impermanent cannot easily apprehend
the eternally perfected.
Atum is whole and conconstant.
In himself he is motionless, yet he is self-moving.
He is immaculate, incorruptible and ever-lasting.
He is the Supreme Absolute Reality. He is filled with ideas
which are imperceptible to the senses, and with all-embracing Knowledge.
Atum is Primal Mind.
Page 46
He is too great to be called by the name 'Atum'. He is hidden,
yet obvious everywhere.
His Being is known through thought alone, yet we see his form before our eyes.
He is bodiless,
yet embodied in everything. There is nothing which he is not. He has no name,
because all names are his name. He is the unity in all things,
so we must know him by all names and call everything 'Atum'.
He is the root and source of all. Everything has a source,
except this source itself,
which springs from nothing.
Atum is complete like the number one, which remains itself
whether multiplied or divided, and yet generates all numbers.
Atum is the Whole which contains everything. He is One, not two.
He is All, not many.
The All is not many separate things,
but the Oneness that subsumes the parts.
The All and the One are identical.
You think that things are many
when you view them as separate,
but when you see they all hang on the One,
/Page 47/ and flow from the One,
you will realise they are unitedlinked together,
and connected by a chain of Being from the highest to the lowest,
all subject to the will of Atum.
The Cosmos is one as the sun is one, the moon is one and the Earth is one.
Do you think there are many Gods? That's absurd - God is one.
Atum alone is the Creator
of all that is immortal,
and all that is mutable.
If that seems incredible, just consider yourself. You see, speak, hear, touch,
taste, walk, think and breathe.
It is not a different you
who does these various things, but one being who does them all.
To understand how Atum makes all things, consider a farmer sowing seeds;
here wheat - there barley,
now planting a vine - then an apple tree.
Just as the same man plants all these seeds, so Atum sows immortality in heaven
and change on Earth.
Throughout the Cosmos
he disseminates Life and movementthe two great elements
that comprise Atum and his creation, and so everything that is.
Page 48
Atum is called 'Father' because he begets all things, and, from his example,
the wise hold begetting children
the most sacred pursuit of human life. Atum works with Nature,
within the laws of Necessity,
causing extinction and renewal, constantly creating creation
to display his wisdom.
Yet, the things that the eye can see are mere phantoms and illusions.
Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness.
Just as the eye cannot see the Being of Atum,
so it cannot see these great ideas.
They are attributes of Atum alone,
and are inseparable from him.
They are so perfectly without blemish that Atum himself is in love with them.
There is nothing which Atum lacks, so nothing that he desires.
There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything.
Atum makes everything,
and everything is a part of Atum.
Atum, therefore, makes himself.
This is Atum's glory - he is all-creative, and this creating is his very Being.
It is impossible for him ever to stop creatingfor Atum can never cease to be.
Page 49
Atum is everywhere.
Mind cannot be enclosed,
because everything exists within Mind.
Nothing is so quick and powerful.
Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention
you will be there!
Think of the ocean - and there you are.
You have not moved as things move, but you have travelled, nevertheless.
Fly up into the heavens -
you won't need wings!
Nothing can obstruct you -
not the burning heat of the sun, or the swirling planets.
Pass on to the limits of creation. Do you want to break out
beyond the boundaries of the Cosmos?
For your mind, even that is possible.
Can you sense what power you possess? If you can do all this,
then what about your Creator?
Try and understand that Atum is Mind.
This is how he contains the Cosmos. All things are thoughts
which the Creator thinks."
|
|
|
|
6 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
6 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
6 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
6 |
ATUM |
5 |
5 |
5 |
|
|
|
|
6 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
6 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
6 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
6 |
ATUM |
5 |
5 |
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
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|
|
- |
|
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|
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|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
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|
|
|
|
occurs |
x |
|
= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
|
FIVE |
|
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
|
SIX |
|
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
|
SEVEN |
|
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
EIGHT |
|
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
|
NINE |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
1 |
2 |
3 |
4 |
|
|
1+0 |
- |
|
|
Q |
1+0 |
|
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|
|
|
|
|
|
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|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
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|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
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|
|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
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|
- |
- |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
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|
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|
occurs |
x |
|
= |
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1 |
2 |
3 |
4 |
|
|
1+0 |
- |
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|
Q |
1+0 |
|
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|
ATUM QUANTUM ATOM
QUANTUM
QUNATUM
ATUM
- |
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- |
- |
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1 |
20 |
21 |
13 |
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18 |
1 |
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7+4 |
= |
|
1+1 |
|
- |
|
1 |
2 |
3 |
4 |
|
9 |
1 |
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2+0 |
= |
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- |
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|
- |
- |
- |
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|
- |
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|
occurs |
x |
|
= |
|
- |
- |
|
|
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|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
- |
|
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|
- |
|
|
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|
occurs |
x |
|
= |
|
- |
- |
|
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|
- |
|
|
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|
occurs |
x |
|
= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
6 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
7 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
|
|
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|
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|
occurs |
x |
|
= |
|
26 |
|
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|
|
|
|
|
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2+6 |
|
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1+9 |
- |
|
|
- |
2+0 |
8 |
|
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|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
- |
- |
- |
- |
- |
8 |
|
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- |
|
1 |
20 |
21 |
13 |
|
18 |
1 |
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|
|
7+4 |
= |
|
1+1 |
|
|
1 |
2 |
3 |
4 |
|
9 |
1 |
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2+0 |
= |
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- |
- |
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|
- |
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|
occurs |
x |
|
= |
|
- |
|
|
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|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
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|
|
|
- |
|
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|
|
occurs |
x |
|
= |
|
- |
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|
occurs |
x |
|
= |
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1+9 |
- |
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- |
2+0 |
|
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- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
- |
- |
- |
- |
- |
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- |
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1 |
20 |
21 |
13 |
18 |
1 |
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|
7+4 |
= |
|
1+1 |
|
|
1 |
2 |
3 |
4 |
9 |
1 |
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2+0 |
= |
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- |
- |
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- |
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occurs |
x |
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= |
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- |
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- |
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|
occurs |
x |
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= |
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- |
- |
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- |
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|
occurs |
x |
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= |
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- |
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- |
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occurs |
x |
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= |
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- |
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occurs |
x |
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= |
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1+9 |
- |
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Q |
2+0 |
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1 |
2 |
3 |
4 |
9 |
1 |
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1+0 |
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- |
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A |
T |
U |
M |
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- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
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1+0 |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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A |
T |
U |
M |
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- |
- |
1 |
- |
- |
- |
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occurs |
x |
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= |
1 |
- |
- |
2 |
- |
- |
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occurs |
x |
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= |
2 |
- |
- |
- |
3 |
- |
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occurs |
x |
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= |
3 |
- |
- |
- |
- |
4 |
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occurs |
x |
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= |
4 |
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A |
T |
U |
M |
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- |
- |
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- |
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1+0 |
- |
- |
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1+0 |
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A |
T |
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M |
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A |
Origin of the name Theresa:
Of uncertain etymology, Teresa is generally believed to be derived from the Greek therizein (to reap, to gather in) and thus takes the definition of “harvester.” The first known bearer of the name was the Spanish wife of St. Paulinus, a 5th century Roman bishop of Nola.
THERESA = 76 = THERESA
THERESA = 31 = THERESA
THERESA = 4 = THERESA
THERESA GREEN THERESA
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|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
7 |
7 |
|
|
|
|
|
7 |
|
|
H |
= |
8 |
2 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
8 |
|
R |
= |
9 |
2 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
9 |
R |
= |
9 |
2 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
9 |
R |
= |
9 |
2 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
82 |
- |
16 |
|
172 |
91 |
82 |
|
|
|
35 |
|
|
27 |
- |
- |
8+2 |
- |
1+6 |
1 |
1+7+2 |
9+1 |
8+2 |
|
|
|
3+5 |
|
|
2+7 |
- |
- |
10 |
- |
|
|
10 |
10 |
10 |
|
|
|
|
|
|
9 |
- |
- |
1+0 |
- |
|
1 |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
- |
- |
1 |
- |
|
|
1 |
1 |
1 |
|
|
|
|
|
|
|
IN SEARCH OF EXTRA TERRESTRIALS
Alan Landsburg
1977
Page 79
"as I lay gazing at the star-dusted sky, a strange feeling of utter loneliness crept over me. Those who live in cities never see the sky as it was that evening. It was like an enormous intergalactic fireworks display-here and there a shooting star, whole whorls of many solar systems, distant suns and galaxies spar-kling across the vast ice reaches of outer space.
The words of J. B. S. Haldane came back to haunt me. He once wrote,
"Now, my suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose. I suspect that there are more things in heaven and earth than are dreamed of in any philosophy. That is the reason why I have no philosophy myself, and must be my excuse for dreaming."
The past fifteen years have reversed the thinking of the scientific community regarding extraterrestrial life, known as ETI. And while speculation about ETI has always been a heated one, today large segments of the scientific establishment are examining the hard proba- bilities that the universe is populated and that our galaxy is teeming with life. The problem-should say challenge - is more "how" than "if." "
FIRST CONTACT
THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE
Edited By
Beb Bova and Byron Preiss
1990
SETI
ON
CAMPUS
Robert Dixon
Page 252
"These modest programs are amassing valuable data, including at least one signal that 'wowed' the Ohio researchers and several unexplained spikes in the SERENDIP programs in California.
Have we already detected extraterrestrial intelligence?"
A
UNIQUE MOMENT IN HUMAN HISTORY
FIRST CONTACT
SEIZING THE MOMENT
Michael Michaud
Page 314
Philip Morrison has suggested that aliens might send us a volume of information greater than that transmitted to medieval Europe from the ancient Greeks, stimulating a new and even greater Renaissance. By entering a communications net, we might receive maps of the Galaxy, and elaborate descriptions of the physical Universe and how it works. We might learn the histories of civilizations stretching far back into the galactic past, and become aware of alternative cultures, arts, social and economic systems, and forms of political organization. Deliberately or by implication, the aliens might tell us how they had survived. It is intriguing to consider how much we could contribute to the other side of the dialogue.
Alien knowledge, integrated with our own, could generate a dramatic forward leap in our sciences and our other academic disciplines. For the first time, we could compare our information and our perceptions with those of other minds in different environments, illuminating voids in our own knowledge and suggesting new generalizations. This almost certainly would lead to new syntheses, a boom in interdisciplinary studies as we perceived new linkages, and new branches of science. Dealing with this influx of new knowledge could force us into mind-stretching responses. Our curiosity would be stimulated by finding out how much we had not known. Contact also could reveal areas of shared knowledge, supporting our own conclusions; this might include religious concepts such as creation or a Supreme Being.
But we should beware of excessive optimism about this exchange of information; communication with an alien civilization may not be easy. No matter what we / Page 315 / wish to believe, aliens, by definition, will be very different. While they may share some of our perceptions of physical reality and some of our evolutionary experiences, their evolutions would differ from ours in many ways, and we might share little in philosophy and culture. There could be serious problems of mutual unintelligibility, or misunderstandings caused by different ways of perceiving reality and by different cultural frames of reference. We might find that our own concepts of language, including mathematics, are narrow and idiosyncratic.
We also should not assume that the aliens will want to tell us everything. Transmitting the species data bank might not be the aliens' first priority. They might want to know first our capabilities and our intentions to assure themselves that their security would not be threatened. There might be things they would not want to tell us, such as how to achieve interstellar flight or how to create more powerful weapons.
Receiving knowledge much more advanced than our own, and the solutions to problems we have struggled with for years, could break the intellectual morale of some scientists and other scholars, and undermine support for some forms of research. Instead, we might simply wait for alien answers, and translate them into our terms. Humans concerned about their personal and institutional interests might resist the dissemination of some alien information, or seek to brand it as dangerous, immoral, or subversive.
Receiving, interpreting, and disseminating information from extraterrestrials could be a major enterprise for humanity, almost certainly requiring new institutions. Since control over this information could bring great power and status, there would be a strong / Page 316 / temptation to monopolize the channel and to limit access by others. Individual nations or groups might attempt to conduct separate dialogues with the aliens to exploit contact for their own purposes. Political and governmental leaders would be concerned about the impact that contact could have on their populations, and might try to let through only those ideas they considered safe. National security policy-makers might argue for classification of the contact and the information received. Some scholars, particularly those personally involved in the first contact, might be equally possessive about the information and the channel, especially if they distrusted governments and held a low opinion of the general population. Entrepreneurs might compete to get first access to alien ideas and to monopolize or patent those with commercial value."
- |
- |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
V |
= |
4 |
- |
6 |
VISION |
88 |
34 |
7 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
A |
= |
1 |
- |
2 |
AN |
15 |
6 |
6 |
E |
= |
5 |
- |
16 |
EXTRATERRESTRIAL |
213 |
78 |
6 |
V |
= |
4 |
- |
10 |
VISITATION |
138 |
39 |
3 |
- |
- |
31 |
- |
41 |
|
536 |
194 |
32 |
P |
= |
7 |
- |
7 |
PRESENT |
97 |
34 |
7 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
H |
= |
8 |
- |
4 |
HERE |
36 |
27 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
N |
= |
5 |
- |
3 |
NOW |
52 |
16 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
P |
= |
7 |
- |
6 |
PLANET |
68 |
23 |
5 |
E |
= |
5 |
- |
5 |
EARTH |
52 |
25 |
7 |
- |
- |
43 |
- |
35 |
|
401 |
176 |
50 |
- |
- |
74 |
- |
76 |
|
|
|
|
- |
- |
7+4 |
- |
7+6 |
|
9+3+7 |
3+7+0 |
8+2 |
- |
- |
11 |
- |
13 |
|
|
|
|
- |
- |
1+1 |
- |
1+3 |
|
1+9 |
1+0 |
1+0 |
- |
- |
2 |
- |
4 |
|
|
|
|
- |
- |
- |
- |
|
|
1+0 |
- |
- |
- |
- |
2 |
- |
4 |
|
|
|
|
HISTORY OF GOD
Karen Armstrong
The God of the Mystics
THE
BOOK OF CREATION
"THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS"
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
O |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
A |
T |
O |
N |
E |
M |
E |
N |
T |
- |
- |
- |
- |
M |
- |
- |
- |
- |
- |
- |
- |
- |
E |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
|
ANTHROPOS |
|
|
|
|
A |
1 |
1 |
|
|
N |
14 |
5 |
|
|
T |
20 |
2 |
|
|
H |
8 |
8 |
|
|
|
|
|
|
|
O |
15 |
6 |
|
|
P |
16 |
7 |
|
|
O |
15 |
6 |
|
|
S |
19 |
10 |
|
9 |
ANTHROPOS |
126 |
54 |
18 |
- |
|
1+2+6 |
5+4 |
1+8 |
9 |
ANTHROPOS |
9 |
9 |
9 |
Anthropos, literally translated "humanity," was a term used by the Gnostic teacher Valentinus in his teachings to describe the archetypical or spiritual ... www.themystica.com/mystica/articles/a/anthropos.html
Anthropos
Anthropos, literally translated "humanity," was a term used by the Gnostic teacher Valentinus in his teachings to describe the archetypical or spiritual essence of humanity, which was opposite of the collective meaning of the term humanity. Valentinus stated the church consists of the portion of humanity that recognizes and celebrates its divine origin. This could refer to the followers of Valentinus who "considered (themselves) more skillful" than the rest and agreed with the teacher Colorbasus, who said when God revealed himself, He revealed himself in the form of Anthopos. Still others maintained that the primal father of the whole, the primal beginning, and the primal incomprehensible, is called Anthropos…and that is the great and abstruse mystery, namely, that the power which is above all others, and contains all others in its embrace, is called Anthopos.
9 |
|
|
|
|
- |
A+N+T+H |
43 |
16 |
7 |
- |
O+P+O+S |
65 |
20 |
2 |
9 |
ANTHOPOS |
108 |
36 |
9 |
- |
- |
1+0+8 |
3+6 |
|
9 |
ANTHOPOS |
9 |
9 |
9 |
This is the reason that those Gnostics believing in the concept of Anthropos explained, the Savior called himself "Son of Man" (that is, Son of Anthropos). A.G.H.Source(s):Pagels, Elaine, The Gnostic Gospels, New York: Vintage Books, 1979, pp. 122-123del greco anthopos, homine, e morphè, forma. Anthropomorphismo, etiam nominate personification, es le attribution de characteristicas e qualitates human a ... ia.wikipedia.org/wiki/AnthropomorphismoEtymologia. of the Greek anthopos, homine, and morphè, shape.
|
THE ARCHANTHROPOS |
|
|
|
|
THE |
33 |
15 |
|
|
A |
1 |
1 |
|
|
|
|
|
|
|
CH |
11 |
11 |
|
|
ANTH |
43 |
16 |
|
|
|
|
|
|
|
O+P+O+S |
65 |
20 |
|
|
THE ARCHANTHROPOS |
|
|
|
1+6 |
|
1+8+0 |
8+1 |
3+6 |
|
THE ARCHANTHROPOS |
|
|
|
15 |
ANTHROPOMORPHIC |
189 |
90 |
9 |
15 |
ANTHROPOMORPHIC |
1- |
- |
- |
|
ANTHROPOMO |
135 |
54 |
9 |
|
R |
18 |
9 |
9 |
|
PHIC |
36 |
27 |
9 |
|
|
189 |
90 |
|
1+5 |
- |
1+8+9 |
9+0 |
|
|
- |
|
|
|
- |
- |
1+8 |
|
|
6 |
ANTHROPOMORPHIC |
9 |
9 |
9 |
THE GNOSTIC JUNG
Including "Seven Sermons to the dead"
Selected and introduced by Robert A. Segal 1992
MAIN PSYCHOLOGICAL INTERPRETATION
Page 61
" This magnetic process revolutionizes the ego-oriented psyche by setting up, in contradistinction to the ego, another goal or centre which is characterized by all manner of names and symbols: fish, serpent, centre of the sea-hawk,14 point, monad, cross, paradise, and so on. The myth of the ignorant demiurge who imagined he was the highest divinity illustrates the perplexity of the ego when it can no longer hide from itself the knowledge that it has been dethroned by a supraordinate authority. The "thousand names" of the lapis philosophorum correspond to the innumerable Gnostic designations for the Anthropos, which make it quite obvious what is meant: the greater, more comprehensive Man, that indescribable whole consisting of the sum of conscious and unconscious processes. This objective whole, the antithesis of the subjective egopsyche, is what I have called the self, and this corresponds exactly to the idea of the Anthropos."
9 |
|
|
|
|
- |
ANTH |
43 |
16 |
7 |
- |
R |
9 |
9 |
9 |
- |
O+P+O+S |
65 |
29 |
2 |
9 |
ANTHROPOS |
126 |
54 |
18 |
- |
- |
1+2+6 |
5+4 |
1+8 |
9 |
ANTHROPOS |
9 |
9 |
9 |
- |
- |
- |
- |
9 |
ANTHROPOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
1 |
|
A |
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
N |
= |
|
2 |
|
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
|
3 |
|
T |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
H |
|
|
4 |
|
H |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
O |
= |
|
6 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
P |
|
|
7 |
|
P |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
|
8 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
S |
= |
|
9 |
|
S |
19 |
10 |
|
|
1 |
|
|
|
|
|
|
|
|
- |
- |
45 |
- |
9 |
ANTHROPOS |
126 |
54 |
45 |
|
|
|
|
|
|
12 |
|
|
9 |
- |
- |
4+5 |
- |
- |
|
1+2+6 |
5+4 |
4+5 |
|
|
|
|
|
|
1+2 |
|
|
- |
- |
- |
9 |
- |
9 |
ANTHROPOS |
9 |
9 |
9 |
|
|
|
|
|
|
3 |
|
|
9 |
- |
- |
6 |
- |
|
ANTHROPOS |
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
1 |
|
A |
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
S |
= |
1 |
9 |
|
S |
19 |
10 |
|
|
1 |
|
|
|
|
|
|
|
|
T |
= |
2 |
3 |
|
T |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
2 |
|
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
6 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
8 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
P |
|
|
7 |
|
P |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
H |
|
|
4 |
|
H |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
- |
- |
45 |
- |
9 |
ANTHROPOS |
126 |
54 |
45 |
|
|
|
|
|
|
12 |
|
|
9 |
- |
- |
4+5 |
- |
- |
|
1+2+6 |
5+4 |
4+5 |
|
|
|
|
|
|
1+2 |
|
|
- |
- |
- |
9 |
- |
9 |
ANTHROPOS |
9 |
9 |
9 |
|
|
|
|
|
|
3 |
|
|
9 |
- |
- |
6 |
- |
|
ANTHROPOS |
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
1 |
|
A |
1 |
1 |
|
|
1 |
|
|
|
|
|
|
S |
= |
1 |
9 |
|
S |
19 |
10 |
|
|
1 |
|
|
|
|
|
|
T |
= |
2 |
3 |
|
T |
20 |
2 |
|
|
|
|
|
|
|
|
|
N |
= |
5 |
2 |
|
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
O |
= |
6 |
6 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
O |
= |
6 |
8 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
P |
|
|
7 |
|
P |
16 |
7 |
|
|
|
|
|
|
|
|
|
H |
|
|
4 |
|
H |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
- |
- |
45 |
- |
9 |
ANTHROPOS |
126 |
54 |
45 |
|
|
|
|
12 |
|
|
9 |
- |
- |
4+5 |
- |
- |
|
1+2+6 |
5+4 |
4+5 |
|
|
|
|
1+2 |
|
|
- |
- |
- |
9 |
- |
9 |
ANTHROPOS |
9 |
9 |
9 |
|
|
|
|
3 |
|
|
9 |
9 |
ANTHROPOS |
126 |
45 |
18 |
1 |
R |
18 |
9 |
9 |
9 |
ANTHOPOS |
108 |
36 |
9 |
|
ARCHANTHROPOS |
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
|
CH |
11 |
11 |
|
|
ANTH |
43 |
16 |
|
|
|
|
|
|
|
O+P+O+S |
65 |
20 |
|
|
ARCHANTHROPOS |
|
|
|
1+3 |
|
1+5+6 |
6+6 |
3+0 |
|
ARCHANTHROPOS |
|
|
|
|
|
1+2 |
1+2 |
|
|
ARCHANTHROPOS |
|
|
|
D |
= |
4 |
- |
7 |
DOPPLER |
86 |
41 |
5 |
E |
= |
5 |
- |
6 |
EFFECT |
45 |
27 |
9 |
- |
- |
|
- |
13 |
First Total |
|
68 |
|
- |
- |
- |
- |
1+3 |
Add to Reduce |
1+3+1 |
6+8 |
1+4 |
- |
- |
|
- |
4 |
Second Total |
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Doppler effect
Physics
noun: Doppler effect
an increase (or decrease) in the frequency of sound, light, or other waves as the source and observer move towards (or away from) each other. The effect
causes the sudden change in pitch noticeable in a passing siren, as well as the red shift seen by astronomers.
The Doppler effect is the change in frequency or wavelength of a wave in relation to an observer who is moving relative to the wave source. It is named after the Austrian physicist Christian Doppler, who described the phenomenon in 1842.
https://simple.m.wikipedia.org/wiki/Doppler_effect
Doppler effect is a change in frequency and wavelength of a wave. It is caused by the change in distance between the thing creating the wave (causer) and whatever is measuring seeing or hearing the wave (watcher or observer).
Another word for "causer" is "sender". Another word for "change in distance" is "speed" or "relative velocity". A common example is sitting in a car while another car goes by the watcher. The watcher will hear a change in pitch, while the sender will not.
For waves read all the waves that can send out or reflected by an object. And for reflection read change of direction of a wave.
If observer and creator of the wave get closer, the frequency is higher and the wavelength is shorter.
•For light, this causes a shift in colour towards the blue end of the spectrum called a blueshift. The faster something is moving toward us, the greater the blueshift.
•For sound, this causes the sound to become higher in pitch
If the distance between the observer and creator gets longer, the frequency is lower and the wavelength is longer.
•For light, this causes a shift towards the red end of the spectrum called a redshift, the faster something is moving away, the greater the redshift.
•For sound, this causes the sound to become lower in pitch.
Lightwaves can also be read, examples are:
•Microwaves
•Radiowaves
An extreme example of the doppler effect is an airplane flying at a faster speed than the speed of sound and how the wall of sound is heard on the ground.
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|
|
|
|
|
T |
= |
2 |
13 |
1 |
T |
20 |
2 |
2 |
|
|
2 |
|
|
|
|
|
|
|
L |
= |
3 |
5 |
1 |
L |
12 |
3 |
3 |
|
|
|
3 |
|
|
|
|
|
|
C |
= |
3 |
12 |
1 |
C |
3 |
3 |
3 |
|
|
|
3 |
|
|
|
|
|
|
|
|
|
1 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
5 |
5 |
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
8 |
2 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
9 |
|
F |
6 |
6 |
|
|
1 |
|
|
|
|
|
|
|
|
F |
= |
6 |
10 |
|
F |
6 |
6 |
|
|
1 |
|
|
|
|
|
|
|
|
P |
|
|
3 |
|
P |
16 |
7 |
|
|
1 |
|
|
|
|
|
|
|
|
P |
|
|
4 |
|
P |
16 |
7 |
|
|
1 |
|
|
|
|
|
|
|
|
H |
= |
8 |
2 |
1 |
H |
8 |
8 |
8 |
|
1 |
|
|
|
|
|
|
8 |
|
R |
= |
9 |
7 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
83 |
- |
16 |
|
164 |
83 |
83 |
|
1 |
|
|
|
20 |
18 |
14 |
|
9 |
- |
- |
8+3 |
- |
1+6 |
1 |
1+6+4 |
8+3 |
8+3 |
|
|
|
|
|
2+0 |
1+8 |
1+4 |
|
|
- |
- |
11 |
- |
7 |
|
11 |
11 |
11 |
|
|
|
|
|
|
9 |
|
|
|
- |
- |
1+1 |
- |
|
1 |
1+1 |
1+1 |
1+1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
2 |
- |
7 |
|
2 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|